the heliocentric worlds of hieroglyphic being vol. 1 brings 2 jamal moss tracks full of free jazz, experimental electronica, chicago acid house, & art noize elements. alter ur destiny is a long winding cut that flips halfway through for more mayhem. outer nothingness is a sun ra tribute. limited edition stamped white labels. only 300. no repress.

the live musician sebastian studnitzky lives in berlin and plays with renowned artists such as jazzanova live, nils landgren, mezzoforte, etc. on an international level. now he is mixing his jazz-background with electronic sounds.

vibrations is a new label set up by christopher galloway and piers harrison of roots unit. the first release comes from the ever-dependable and very busy mark e, who drops two killer jams for the dancefloor. escape is a bassline driven banger that drops into a hefty loop half-way through – large. the flip, midnight fires, is a more introspective, techno influenced cut, with crazy jazzy drums and swirling synths. we are thinking about early morning dancefloors for this one. escape is also remixed by roots unit, who add chicago house elements within a reggae aesthetic.

2012 repress! aquarell with their first vinyl on night drive music. this 4 tracker is a mixup between finest techhouse and deephouse and always aiming on the legs of the dancer. bombastic rhythms, bouncey grooves and driving elements. made to dance, made to freak out, made to burn the floors.

nice price deal !!! after more than one year slash co-owner ahmet sisman is back with his brand new solo ep! the playing with acid ep is an unapologetic combination of raw-deep techno and electro-pop influenced house music. and as we know it already from mr. sisman, he loves to combine different genres and create his own distinctive flavor! the a-side playing with acid is a pure synthie-baseline dominated track whose melody is drilling through your head that you won’t forget it so easily. this trapping hook line is coming along with some poppy vocals which are giving you a slight association how is it feeling being totally vaporized in the mind. we say, be careful when you playing with acid!!! feel today think tomorrow has a different approach while the ingredients remain the same. it’s the more melancholic side of this record but also filled with pure energy. the guitar phrases creating those feelings between the struggle and harmony in life, and like the title indicates: live today, pay tomorrow! no return no regret is the more poppy side of this record. the b2-side is a mixture of modern elements bonded with the refreshing vibe of the contemporary 80s influence. this fusion is a naive approach of pooling different styles in one track with the intention to create something timeless. even its poppy elements doesn’t seem to allow it we going to love it for a long time and we hope you will feel the same! this three-tracker ep contains the well known “mr. sisman-ingredients”. although the difference to his previous productions laying in its details. find it out for yourself and above all: enjoy it!!!

philipp >santé< maier has made some crucial intrusions on souvenir: almost a brother-in-law for ali and basti schwarz, he has been fine-tuning tiefschwarz latest album >chocolate< , plugged the power to their new live-act and contributed daily to the good-working order of the imprint at kremmerer straße. as a producer on his own, philipp has got the soul as well as the muscles, two elements perfectly combined, which have made his live-sets one of the most exciting performances of the current berlin scene.

>les patates<, the fresh new rrygular release by tassilo, one half of pan-pot, is not an homage to french agriculture but a serious techno smasher with high club potential. at first, theres just a nice party atmosphere and … then this rough beat drops in! the small potatoe >petite patate< surprises by adding rudimental elements like the hihat and snare drum always a little late. but you have the feeling you havent missed something yet. this number just sneaks from behind and lulls you in with billowing pads until you sense the final rave sound as a self-evident consequence of it all. the message by g-tech right before the drop proves right - there is not a lack of vibration here! its all about the mixture … and in this case its just felicitous: male choir, clanking cymbals and finally the riff that this track subsists on. tassilo knows how to send the short melody-figure through the different stages of sound design, even though it might have been lively enough without it. this gives the big potatoe >grosse patate< a level of dynamic, that most contemporary techno releases just dont provide.

satyr - roadrunner liebedetail welcomes new artist satyr, who will remain anonymous for the time being, yet we assure you he is a figure embedded deep with the scene, producing and djing worldwide for the last 8 years. this new creative angle does as his teasing artist bio promises, stay true to his acid house roots, and roadrunner is a fittingly excitable, frenetic synthesiser trip that rises and climbs with great intensity and clarity of sound. wareika - rumba swing the trio of wareika return with rumba swing, their second outing on the label. perfectly jazz infected, with of course a healthy measure of that rhumba timing, this lazy, psychedelic journey track meanders through lush fields of guitar improvisations, tumbling drums, piano refrains and eerie pitching elements, all neatly strung together with wareikas impeccable production.

limited to 500 copies worldwide.bristol based skinnz unleashes his debut solo release after more than 5 years in the game! his productions date back to an appearance on a destructive recordings compilation back in 2005 alongside the likes of skream, toastyboy, distance and vexd. more recently his collabs with i.d have seen releases on labels such as pinchs earwax and double science. >keep it gutta< features soaring synthetic soul chords, like jokers >purple wow< sound with aggro elements sublimated into a crisp urban elegance. >euphorbia< strays into martyn/joy orbison territory, its fizzing drone chords and soul vocal samples compressed around a bassier but grime-inclined beat to breathless effect! currently receiving heavy radio1 / 1xtra support from mistajam and ras kwame, along with mary anne hobbs, pinch, mensah, i.d, baobinga, akira kiteshi, jayglo & more!

once again phunkfiction brings on a hot new talent: notion is known for combining deep and dark moods with a wide range of musical elements and influences. >because< is a sick half tempo track using an ultra catchy pitched down vocal sample and an outstanding sound design - one for the fans of instra:mental and d-bridge. >iota< is a very stripped down dancefloor tool still spreading a big amount of funk - head nodding guaranteed. both tracks are getting support by many big djs on the scene.

after a very brief lull in activity over the latter part of the summer, we re very excited to be back up and running and present a fantastic new collection of songs from one of our favorite producers, the esteemed russ gabriel. having long been a pioneering producer, dj and live act as well as a hugely respected studio producer, russ has returned to the dieb audio fold and graced us with 4 exceptional new works.
the >knossos< ep, as the collection is known, showcases a diverse palette on russ part, ranging from visceral, heads-down dancefloor material, to intelligent, emotive house productions, in a polished, thorough manner, that defines his work. fans of his sound will instantly grasp his simple, effortless style of fusing together elements and creating classy, functional arrangements. one thing is always guaranteed and delivered with russ: quality.

sound-design from a far-away galaxy, functional and intelligent arrangements, tricky elements somewhere between handmade and cinema-scope and continuously surprising ideas - this is the music of an extraordinary talent: boris brejcha.
he is one of the most productive creative minds of this time segment and while constantly releasing a great amount of tracks, his music does not sound like the work of a mechanic following a certain formula. boris force roots from a unique style that has a focus on diversity and still you recognize his hand-writing while listening to his tricky arrangements and breaks that are different as they can be.

dan ghenacia steps up with a stunning double solo offering with globe/ gentelized, a rare production offering from the parisian star, this time lending his brand of freakiness to cdr (crosstown digital rebels).globe takes you on a 3am dance floor journey, its steady, driving beats riding the swelling ambience of abstract melodic effects. psychedelic elements cry in unison, unravelling a blanket of swirling synths in descent and crescendo. gentilized finds its heart in heavy rolling bass and soothing sumptuous female cries. inspired by dans kwality years at batofar, this production oozes aquatic sonics and fluid chords, with deep and dreamy layers of percussion pouring over each other. forging an effortless groove in the bass and hypnotic sweeps of melody, this track is dan at his playful best. one of the undisputed pioneers of the parisian house and techno scene, dan ghenacias influence is undeniable. through his productions, revered freak n chic label now in its seventh year, notorious parties at batofar in paris and legendary residencies around europe including dc10 and space in ibiza, he has remained at the forefront of the scene for over a decade.

striking the elusive balance between creativity, originality and pop sensibility, canyons have just unveiled the first taste from their debut album (due 2011) in the form of the new single, >my rescue<.
with an aural likeness to elements of psych, folk, house and everything deep, what is essential to canyons is that their music evokes a sense of feeling and truth, ruth. close your eyes, feel the sun on your face and prepare yourselves for the sonic vision that is canyons.

we welcome the swiss production-duo blackbird with their debut single on purple music. >just glow< is a vocal-house tune with a spanish-touch & a pinch of the typical elements for what purple music is known. >just glow< was already featured on the 2010 summer sampler & here comes the full package with the original version & a brand new peak time mix by nightrhymes.

a1: >feels like< - a great start to this release, a dreamy vocal backed with heavy disco style percussion and a awesome bass line!
a2: >give you love< - classic nicholas right here! a great soulful vocal sample paired with chilled disco / house percussions.
b1: >i know< featuring nick anthony - this track brings something different to the release, a more percussive feel, again with classic nicholas style chopped vocal samples and bass.
b2: >inside my mind< - deep funky bass line, again great percussive elements with just right amount of space and nice keys/synth sounds. as with the rest of these tracks, a brilliant vocal sample tops it off!

the new kill a beat is coming straight from berlin! it s a split ep by the friends alex sander and lars wickinger. alex sander is well known by his label killabeat and last release on session deluxe with rekardo rivalo. he was living some years in sao paulo. there he worked as booking agent for intergroove. this time gave him a lot of influences for his music. his style is a hot mix of minimal electro and techhouse. now alex presents 1 track (nuit) for kill a beat. nuit is a very warm and soulful funky tech-house tune. you can really feel the spirit of south america in this track. nuit is rollin very percussive and groovy with some vocal snippets and typical south american folk elements. the second one is made by lars wickinger. after his releases on tanzbar and kachelfunk, he finally is back with funky buthole on kill a beat ! on the b-side is an amazing remix by andy kohlmann (lordag / extrasmart). his style is a little bit deeper and more minimalistic. this track is perfect for the current techhouse sound all around the world. the whole ep is definitely hot, and will bring the summer back to your hearts, during the cold fall months.

even though youre with another girl is the amazing second single to be taken from trentemoellers stunning new album >into the great wide yonder<.after the huge reaction to the beautiful longplayer, which mixes classic trentemoeller production mastery with more of an analogue, song based, indie-feel,its time to carry on with this intriguing set of remixes.side by side comes a hot 12inch that features remixes by kollektiv turmstrasse and pantha du prince.the kollektives half of the record slaps a heavy dose of deep,dark funk into the mix, with this ingenious lo-slung version. postminimal-punk electronic drums meet warbling synths and reduced,subliminal use of the vocals in a delicate and stylish mixture of pop-meets-deepest-electronica.dials man of the hour pantha du prince creates a typically high-end remix based on his trademark twinkling melodies and warmly grooving understated beats.the dub version twists and turns with unpredictable laid-back intensity as a rousing chorus of strings and harmonic elements fuse under dubbed out vocal elements.

almost two years after their last release, kink & neville watson are finally back with their 3rd single! again they deliver two winning tracks that combine the best elements of chicago house (for the body) and detroit techno (for the soul), which has become their sound signature. where >metropole< will cause ruckus on the dance floor at peak time moments, >the long wait< is a deeper affair perfect for late/after hours. raw and dirty house music. when music is this good, let there be renaissance!

working a strong vocal and soothing harmonies with classic new york garage style, paul simpson and colonel abrams have crafted a warm and interesting vocal house record that entertains while getting the listeners head and shoulders softly moving in time with their hips, leaving them not to contemplate the origins of bleeps and whirs, but to bask in the here and now. stripped down to the basic and classic elements of house beat, bass, organ, vocals and piano >could it be?< ponders life after break-up without distraction and reminds you that you are in no hurry to be anywhere else. its fine right here so take the time to think about the what the colonels singing and enjoy it. we’ve all been there.

new kanada presents a collection of superbly deep and tight emo house tracks by seuil. all three cuts here are made for the long mix, blending elements of classic house, deep techno and random dopeness into a very modern whole. >nine clouds< is a classic slow-acid burner with a long broken intro that unfolds into deep space. 93 hardcore meets global communication. >blank love< is a hazy delicate jacker with long noise echoes, an elastic lead and dripping steel drums … >lonely place< is drifting so far out, its almost gone … sublime and mellow, old and new … serious 10am vibe on this one.

anime introduces herself to the hardcore worldwide public: here is her first release on traxtorm records, innovation is the guideline of the project.
sounds, vocals, mergers between grooves and elements of various music styles with strong influences from her past as industrial/darkcore producer. her style has already become inspiration for many important hardcore producers and her tracks are already included in the best hardcore compilations worldwide.

superbacon is an epic bigroom track, still with enough livedrums and sexy house elements to make it work in smaller clubs as well.

on its first installment, claap001 features a collaboration between two of greeces finest exports in house and techno. label owner gummihz and nikola gala offer a 3 tracker thats bound to make floors shake. three wonderful and mature tracks including elements spanning from jazz to ethnic to a total mind trip!

dixie yure is the incarnation of contemporary oldschool house music from seville. after some digital only releases it is about time for some haptic experience. with the 10“ record „show me satisfaction“ on berlin-based label fenou his sound is rotating on turntables for the first time. monotonous minimalism ain’t dixie yures world. the sound tends more towards 2step and builds a homogeneous and pleasant mixture with classical house elements and vocal parts. you just cant deny yourself dancing the >chicken dance< and stepping like hell! thanks to the funky improvisations extending over the whole track you wont get bored even after listening to >show me< for the hundredth time. the a-side is just fun - in the club as well as on your couch. you wont miss the low-pitched vocals on the b-side either as they are typical for the spanish producer. >satisfaction< is a little more reduced than >show me< but is enhanced with jazz elements such as pianos and saxophones. it shows that wind instruments in electronic music dont have to be annoying tribal elements. in this example acoustic instruments do not just get mixed up with house music but merge to one groove – absolutely rocking tune!

the esteemed mr. nick chacona, he of moodmusic, hector works, and 2020 vision fame, makes his stunning solo debut on wurst. we reckon >slice of life< is the mans finest work to date, the culmination of the past decadeÆs worth of his most excellent musical output. taking in elements from both disco and house, the song fits quite neatly beween the two genres, with its slow burning groove, rich synth textures, and a soaring, ecstatic synth solo to end all synth solos.

lee holman strikes us down with some seriously deep rooted techno, bombarding us with elements of gabriel and curtin cutting into the mixes.
the first track on the ep is seek, straight forward hypnotic dance floor business elevated by shaking percussion and vocal stab. search hits us straight away with deep detroit feelings shivering and unwinding as the track progresss, you get to see why lee has released on labels such as ferox, fine art and voorns nightvision imprint. found has to be highlighted as one of the must haves on the ep taking us on a journey right from the off. beautifully layered pads mixed with a tight and funked up bass line. berlins mike dehnert hits in with his signature sound of deep late night bass heavy groovin techno, twinkling and making every bone in the body jive to the off beat, a serious ep with serious intention.

this part of the urban graffiti saga focuses on the elements that make up our sound. covering all aspects, these tracks have been sourced from some of the most prolific artists in the scene over a period of time right up until the present, almost cataloging the progression of the scene as far as this side is concerned. this will take on the form of two 3-track eps with two additional tracks available for free download. if that isnt enough, we are also going to be giving away a free mix courtesy of d-man and h.o.d featuring tracks from the elements series including exclusives and forthcoming material.

joel alter blew us away some months ago with his soul clap release on sweatshop! a much under-rated record which makes things go wild everytime its being dropped. now he is back strong with more straight pumping chicago-inspired tracks that continues alter s forays into the rougher, tougher side of house music. simple and effective tracks that reminds us of early raw house projects of jeff mills with basic elements and phat drum machines. joel alter going back to the basics and pushing the right buttons!

a new release on small world disco edits, two sublime reworked soul classics by nicholas.
side a: willie edit - melodic bass line intertwined within a driving kick drum and lovely percussive elements. the strings make this song stand out - along with the chopped up vocals.
side b: love is - the vocals really bring this track alive. heavy on the drums, bass and hats, this track really grooves - laced with brass!

newcomer ricardo rae with a straight stomper on this hot tango solo debut. >hold on< is a tangy gem of crisp, clean and snapping deep house - loads of thick basslines, key stabs and some jazzy elements working nicely in the mix. on the flip the hot chuck love kills it with his mix - toughening up the percussion a bit, laying down a buzzing bassline and throwing down a tasty breakdown, all with that trademark chuck love funky strut. solid stuff for the youngman, heather and fred everything fans here.

mlms live show now incorporates a full brass section and drummer, accentuating the elements of carnivalesque ska and heightening their collective energy. this, combined with johnnys unique lyrical style, sees the band form a new fuller sound, merging their playful melodies with a powerful back line. young british singer, jessie ware (who has also sung for jack penate), a bright new talent, has also joined them to offer soulful vocals. the >lovestruck< ep reveals a more refined method of writing infectious and original british music. their new approach to composition harbors their recognized style, whilst showing a progression as serious songwriters. for the release of the ep the band has been working with producers such as clive langer (madness) and charlie hugall (florence and the machine).

federico molinari makes a welcome return to tsuba with >south african pesadello<, another sure shot for the dancefloor from the oslo main man. on the aa side damian schwartz delivers one of his finest remixes to date, retaining the trippy elements of the

after the success of >slow burn< as well as the licensing of >dirt< to mr. ben klocks berghain mix compilation, echologist returns with another slice of psychedelic dub techno with remixes by frances techno king terence fixmer and arguably moscows finest producer, anton zap. the original mix is a slowly builds into a blaze of cavernous chord changes and a 4/4 groove powered by an unelenting sub bass. the distinctive sound of this track is what seperates echologist from all the other dub techno composers out there. terence fixmer takes the elements and transforms them into his signature techno workout that packs as much punch as it does finesse while anton zap strips things down and builds a super spacious hypnotic house groove that has become a trademark of his ethereal sound. all round another essential release from echologist.

12 funky latin, disco and jazz influenced house tracks, compiled by claudio coccoluto for mixmag.

finally, the live virtuoso olene kadar is back again with release #4 on his homebase mos ferry! not only the really massive kick makes the a-side >deal< a true stomper, that might put a smile on every detroit fans face also a guy called gerald would be thrilled! kadar uses common sounds and styles to stack his own unconventional sound-building - his own >house<. driving is probably the adjective that can express most accurately what constitutes the eight and a half minutes track with its funky organ chords. the b-side >sot:2< contains an equally virtuoso ass-shaker. somewhere between industrial aesthetics of the reverberated snare and the indefinable squawking sound its elements combine into a multi-dimensional piece of >club therapy< full of extremes. the unity of groovy kick and bass constitutes a high contrast to the vast extending percussion that moves at times in dramatic and absurd dimensions. approaching the drop, the almost out of control snare rolls and percussion drown any crowd in their own sweat dripping from the ceiling.

the 3rd release by sonic (resident u60311, airport, thai break) and amused mastermind taste t. this time they cite the commandante che guevara and the top-class remixes leave just one question: which mix shall i play? the a1 starts with an unbelievable earthbound and groovy remix by pier bucci. the chilean artist plays competent with grooves and vocals. the jacuzzi boys delivered an absolute master piece on a2. housy but extremely playful. the most housiest edit on b2 comes from the frankfurt veteran and coccon resident toni rios. hi-strings & house cords û nearly a classic house tune at its best. on b2 the dj discovers the original by taste t & sonic. a techhouse bomb with groovy percussion elements which completes this ep package.

michigan central station built in 1913 for the michigan central railroad, was detroit, michigans passenger rail depot from its opening in 1913 until the discontinuance of amtrak service on january 6, 1988. at the time of its construction, it was the tallest rail station in the world. the building, located in the corktown district of detroit still stands today, though it remains unoccupied. restoration projects and plans have gone as far as the negotiation process, but none have come to fruition. spread throughout the city of detroit and its surrounding metropolitan area, the decay of once magnificent buildings during the industrial revolution and automobile era now cast a shadow of despair on a once flourishing city. these monuments of achievement now lay barren and forsaken by city government. infrastructural restoration and city development are fundamental elements in detroits recovery, and the recovery of cities worldwide. it is time for revival in our cities, but first, in our souls. the michigan central station ep is a platform for this change.

this time we welcome our very first italian artist, fausto messina. well known within his countrys house scene, fausto is renowned for his legendary parties, >the better day< and >kisses from venice<, in his home city of milan. an expert dj, fausto has, over the past couple of years, transferred those skills to the studio. his productions have already seen releases on wir, big city beats, suara and international freakshow and have been licensed by sven vath for his æseason eightÆ cocoon compilation. todays diynamic ep sees him serve up a tasty platter of beats. driving, powerful and wickedly funky, with beautiful balkan elements. with loco dice already giving early support on >boungaville<, this ep is set to rock the summer floors! enjoy!

good guy mikesh is well known for his track -milk & honey- which was on the fabric 51 by dj t. and formerly released by liebe*detail spezial. with the single spare, good guy mikesh proves his talent for contemporary club- and popmusic. a rough and sometimes dark baseline layer underlines the magnificent detuned vocals. spare is a song that can enchant us listeners either in the club context or at home. remixes come in courtesy of christian löffler, axel boman, marbert rocel and mano le tough. christian löffler gives the original his trademark sound and makes it a melancholic piece of deep techno. axel boman is going straight to the floor with his remix of spare. adding clubsuited sounds and clicks this makes it a deep house version of the original for the djs to play out loud. marbert rocels version of >spare< is a playful one, the disco elements and the added sax line gives the track its distinctive sound of marbert rocel . mano le tough adds a few synth-lines to the original and makes it good for both: homelistening and club. supported by: marquese, tristen, john roberts, soul clap, dj sneak, lexy, tobias thomas, paul loraine, m.a.n.d.y., anthony collins, paulo olarte, alex tepper, butane, ripperton, nuno dos santos, milly de mori, sven tasnadi, eddy richards, nooncat, guy j, david keno, murat kilic, jesse rose, simon beeston, someone else, patrick zigon, chris lattner and elektrosalz

what an absolute stormer, for those of you who have never heard this record, get ready to be blown away. initially out in 1992 inner citys pennies from heaven was just the most perfect house anthem, i think it was kevins tunnel mix which was the killer mix, here it has been strung out just a little by the slow to speak people. all the crucial elements are still there, amazing vocal, the most uplifting of pianos, ridiculously simple yet deadly bassline and fantastic crisp garage beats. really they dont get much better than this, watch em go on nye when you drop this. awesome!

with >fric frac< robot ranch proudly to present our first international artist lado, wich to the surprise of us was elected for the best dj and producer of georgia 2009. both tracks atomize a tricky, organic and fresh placidness, that search the likes of her. the remix from eltron (festplatten, lebensfreude rec.) conserve this elements at the core and enriched with his deeply rooted feeling for the exact groove and will make shure for comprehensive smile not only in a morning hour

what a perfect definition of minimal techno, differing from all this crap that made minimal suffering over the last months. swen hutmacher aka shi buka and thomas wangorsch know where to set samples, sounds and elements, and italian fellows nihil young and alex d elia deliver some nice personal flavour on the original as you are used from their work for labels like rekluse or their very own frequenza. this is the deal!

sneak previews of elements of both of these new tracks appear on the >structures< lp, where john utilized beats and breakdown fx versions in his mix. now, both tracks are ready to be unleashed in their full glory as an exceptional double-header on bedrock.

first on decks.de !! lust und freude musik s fifth release arrives from tufan demir of istanbul, who has been making music in various genres under different monikers for some time now. this ep bears tufan s own name and contains tracks of a more personal nature. despite the overall after-hour feel of the toy harmonics, it also draws heavily from modern house music elements. four-to-the-floor pattern of the tracks do not necessarily mean that they are pure house as they encompass an undeniable ambient vein. most of the percussive elements featured here have been recorded by tufan, extracting sounds diligently from a toy archive that includes pieces ranging from action figures to music boxes. the opening number idiot term tricks you with its mighty kicks and hypnotic percussions only to draw you into a dreamy atmosphere made up of pads and intricate structuring. quiet days in a room starts off with a simple sequence and builds into a melodic orgy of bells and synth sounds. the most minimalist of all, back to fine offers the greatest emotional potential - despite its unmistakable dance footing, the track transcends electronic dance formulas thanks to its ingenious instrumentation.

mathematics introduces john heckle to the world with his life on titan ep featuring 4 tracks of refreshing house from this new artist from the uk. elements of early classic house & detroit tech roam throughout while still maintaining a unique style. gonna be another huge record from this imprint!

the final part to the limited edition hi five mobilee! vinyl series features tracks from mobilees head lady, anja schneider, and one of the very first artists on the mobilee roster, sebo k. each of the artists careers have grown and flourished with the label, and whilst retaining many elements from their signature styles, these tracks also show how they have developed their sound over the last five years. sebo ks way back comes with a funky house bass line and colorful synths, creating a very full and warm sound, and one that is topped with an element of old school vibes. as with all of his releases, its classically built for the dance floor and one that will be enjoyed by many. meanwhile, anja schneiders >something left<, has a more minimal and isolated feel to it, broken up with the soulful voice of cari golden. completely contrasting to sebo ks a side, it makes this an interestingly varied release!

kenton slash demon is indeed one of the most promising new talents out of denmark. the two guys who are also behind the much acclaimed indie-disco band when saints go machine and have gained massive attention with their ksd act, without releasing a lot of material. why? the answer is simple: all they do is just so good. their sound is both organic and futuristic, and their obvious skills take their productions further than the typical frame and dramaturgy of club a track. still 4/4 rhythmic - but with clever and super melodic bass lines and interesting breaks. >sun< is the first release in a ksd trilogy on tartelet called >schwarzchild trilogy< inspired by the elements that form our galaxy. >the sun< 12inch features a remix from the much hyped alan abrahams aka portable / bodycode, from portugal who made added vocals, deepness and classic mr. fingers juno-6 bass line - deep and clever.